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克裏米亞的寶藏
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主演:
--
清晰:
HD中字
類型:
紀錄片未知
地區:
其它
語言:
其它對白
導演:
Oeke•Hoogendijk
時間:
2024-02-07 16:38:33
年份:
2021
劇情:
It was a fateful coincidence that in 2014, just when the Allard Pierson Museum i… 詳細劇情
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克裏米亞的寶藏劇情介紹

〖紀錄片〗電影:《克裏米亞的寶藏》由Oeke•Hoogendijk執導,主演:未錄入,預計於:2021左右上映。

克裏米亞的寶藏講述的是: It was a fateful coincidence that in 2014, just when the Allard Pierson Museum in Amsterdam was staging an exhibition of Crimean artworks, Russia annexed the region. So now the question arises of who should the artworks be returned to? To the museums in Crimea who had been so kind as to loan them out? Or to Ukraine, perhaps, the country Crimea belonged to before the annexation? What should the museum’s director Wim Hupperetz do?  Veteran documentary filmmaker Oeke Hoogendijk (The New Rijksmuseum) is just the woman for the job when it comes to turning this complex issue into an exciting film, and finding the human dimension in a tangled judicial tug-of-war. Political, emotional, personal, cultural, and historical interests all jostle for position as lawyers arguing from a purely judicial perspective present their case and distressed museum directors face big gaps in their collections.  While archaeologists in Crimea continue their groundbreaking historical work, it looks like their previous finds are going to be re-buried in the Netherlands—shut off from the world in a warehouse, they are perhaps the biggest losers in this conflict.
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It was a fateful coincidence that in 2014, just when the Allard Pierson Museum in Amsterdam was staging an exhibition of Crimean artworks, Russia annexed the region. So now the question arises of who should the artworks be returned to? To the museums in Crimea who had been so kind as to loan them out? Or to Ukraine, perhaps, the country Crimea belonged to before the annexation? What should the museum’s director Wim Hupperetz do?  Veteran documentary filmmaker Oeke Hoogendijk (The New Rijksmuseum) is just the woman for the job when it comes to turning this complex issue into an exciting film, and finding the human dimension in a tangled judicial tug-of-war. Political, emotional, personal, cultural, and historical interests all jostle for position as lawyers arguing from a purely judicial perspective present their case and distressed museum directors face big gaps in their collections.  While archaeologists in Crimea continue their groundbreaking historical work, it looks like their previous finds are going to be re-buried in the Netherlands—shut off from the world in a warehouse, they are perhaps the biggest losers in this conflict.