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無人呼叫
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還行
主演:
Zofia•MarcinkowskaHenryk•Boukolowski
清晰:
HD中字
類型:
愛情片劇情 愛情 戰爭
地區:
其它
語言:
其它對白
導演:
Kazimierz•Kutz
時間:
2023-02-11 11:54:21
年份:
1960
劇情:
50年代-60年代初波蘭電影學院派的經典作品之一,堪稱與同時代意大利導演安東尼奧尼的… 詳細劇情
常見版本:[DVD:標準清晰版] [BD:高清無水印] [HD:高清版] [TS:搶先非清晰版]
[雲播]:無需安裝任何播放器。

HD中字

無人呼叫劇情介紹

〖愛情片〗電影:《無人呼叫》由Kazimierz•Kutz執導,主演:Zofia•Marcinkowska,Henryk•Boukolowski,預計於:1960左右上映。

無人呼叫講述的是: 50年代-60年代初波蘭電影學院派的經典作品之一,堪稱與同時代意大利導演安東尼奧尼的《奇遇》相比,改編自Józef Hen在社會主義波蘭時期被禁的小說。  In 1960 his second film NIKT NIE WOLA / NOBODY'S CALLING, based on a Jozef Hen novel that was never published in Poland, described the fate of Poles on the Eastern Front. Kutz used the film to explore new formal solutions, collaborating closely with cinematographer Jerzy Wojcik to reveal the psychological landscape of a pair of lovers who are strongly affected by wartime events. The camera recorded the couple's inner experiences, contrasting their muted intimacy against the surrounding scenery of a ruined town. The film did not win over critics at the time of its release. It was not until later that critics recognized Kutz's effort to experiment with aesthetics in a manner akin to that pursued by filmmakers of the new wave. NOBODY'S CALLING came to be compared with Michelangelo Antonioni's THE ADVENTURE, which was produced around the same time.
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50年代-60年代初波蘭電影學院派的經典作品之一,堪稱與同時代意大利導演安東尼奧尼的《奇遇》相比,改編自Józef Hen在社會主義波蘭時期被禁的小說。  In 1960 his second film NIKT NIE WOLA / NOBODY'S CALLING, based on a Jozef Hen novel that was never published in Poland, described the fate of Poles on the Eastern Front. Kutz used the film to explore new formal solutions, collaborating closely with cinematographer Jerzy Wojcik to reveal the psychological landscape of a pair of lovers who are strongly affected by wartime events. The camera recorded the couple's inner experiences, contrasting their muted intimacy against the surrounding scenery of a ruined town. The film did not win over critics at the time of its release. It was not until later that critics recognized Kutz's effort to experiment with aesthetics in a manner akin to that pursued by filmmakers of the new wave. NOBODY'S CALLING came to be compared with Michelangelo Antonioni's THE ADVENTURE, which was produced around the same time.