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一曲相思未了情
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主演:
德克•博加德卡普西尼吉內瓦維•佩吉
清晰:
HD中字
類型:
劇情片劇情 傳記
地區:
美國
語言:
英語對白
導演:
查爾斯•維多喬治•庫克
時間:
2023-03-30 11:12:59
年份:
1960
劇情:
In a confused welter of artistic licence, this is the classical music biopic whi… 詳細劇情
常見版本:[DVD:標準清晰版] [BD:高清無水印] [HD:高清版] [TS:搶先非清晰版]
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HD中字

一曲相思未了情劇情介紹

〖劇情片〗電影:《一曲相思未了情》由查爾斯•維多,喬治•庫克執導,主演:德克•博加德,卡普西尼,吉內瓦維•佩吉,預計於:1960左右上映。

一曲相思未了情講述的是: In a confused welter of artistic licence, this is the classical music biopic which makes 'Song to Remember'look like a masterpiece. Bogarde succeeds in diminishing the reputation of the musical colossus who spanned European music for most of the 19th Century. The absurdities of the plot, the sequoia-like quality of the acting and the prevalence of historical,musical and linguistic anachronisms combine to elevate this offering to the status of an A1 turkey.How a pianist of the stature of Bolet came to be mixed up in this fiasco can only be guessed at. The characterisation of Liszt fails to convey even a minute impression of his magnetic personality and the overwhelming effect that he had on not only his audiences, but also his pianistic rivals.Clara Schumann herself said that 'we toil over that which Liszt reads at sight!' Whilst the emphasis seems to focus on his romantic prowess,rather than his status as the greatest pianist of the century or,arguably, of all time, one feels,nevertheless, that this was an opportunity lost.
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In a confused welter of artistic licence, this is the classical music biopic which makes 'Song to Remember'look like a masterpiece. Bogarde succeeds in diminishing the reputation of the musical colossus who spanned European music for most of the 19th Century. The absurdities of the plot, the sequoia-like quality of the acting and the prevalence of historical,musical and linguistic anachronisms combine to elevate this offering to the status of an A1 turkey.How a pianist of the stature of Bolet came to be mixed up in this fiasco can only be guessed at. The characterisation of Liszt fails to convey even a minute impression of his magnetic personality and the overwhelming effect that he had on not only his audiences, but also his pianistic rivals.Clara Schumann herself said that 'we toil over that which Liszt reads at sight!' Whilst the emphasis seems to focus on his romantic prowess,rather than his status as the greatest pianist of the century or,arguably, of all time, one feels,nevertheless, that this was an opportunity lost.