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我有毒
我也要給這影片打分:
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還行
主演:
--
清晰:
HD中字
類型:
恐怖片動作 科幻 恐怖
地區:
其它
語言:
其它對白
導演:
Daniel•de•la•VegaPablo•Parés
時間:
2023-02-23 17:07:27
年份:
2018
劇情:
Following the success of their feature debut Jennifer’s Shadow (2004) – an exerc… 詳細劇情
常見版本:[DVD:標準清晰版] [BD:高清無水印] [HD:高清版] [TS:搶先非清晰版]
[雲播]:無需安裝任何播放器。

HD中字

我有毒劇情介紹

〖恐怖片〗電影:《我有毒》由Daniel•de•la•Vega,Pablo•Parés執導,主演:未錄入,預計於:2018左右上映。

我有毒講述的是: Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!).  The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats: they get to see the film and can also enjoy the unfinished comic in an exhibition.
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Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!).  The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats: they get to see the film and can also enjoy the unfinished comic in an exhibition.