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好像一切都很糟糕
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還行
主演:
Melis•SevinçMelisa•Bostancıoğluİbrahim•ArıcıMert•Can•Sevimli
清晰:
HD
類型:
劇情片劇情
地區:
土耳其
語言:
土耳其語,英語對白
導演:
烏穆特•蘇巴西
時間:
2026-04-11 03:33:42
年份:
2023
劇情:
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials s… 詳細劇情
常見版本:[DVD:標準清晰版] [BD:高清無水印] [HD:高清版] [TS:搶先非清晰版]
[雲播]:無需安裝任何播放器。

HD中字

好像一切都很糟糕劇情介紹

〖劇情片〗電影:《好像一切都很糟糕》由烏穆特•蘇巴西執導,主演:Melis•Sevinç,Melisa•Bostancıoğlu,İbrahim•Arıcı,Mert•Can•Sevimli,預計於:2023左右上映。

好像一切都很糟糕講述的是: Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
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Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster